Showing posts with label Chhatarpur. Show all posts
Showing posts with label Chhatarpur. Show all posts

Wednesday, July 23, 2014

Footloose in Bundelkhand

Somewhere in Bundelkhand
Her precious jamuns

The grey tarred road stretched endlessly, breaking the monotony of rain washed green that dominated the landscape. We were in Bundelkhand, in central India, driving south from Khajuraho (story here), through the reserve forests, towards Jata Shankar temple. For many kilometers, ours was the only vehicle on the road. We were, once or twice, overtaken by a jeep or a bus, and sometimes we passed sleepy little villages in the forest clearing. These village houses were compact structures built on a single level, with flattened earth tile roof. The side walls of these houses were decorated with dried cow dung patties - fuel for a rainy day.

Caked in mud, herds of water buffalos strolled along the road without a care in the world, their brass bells tinkling as they shook their head or chewed on cud. Often we had to slow down and allow them right of way. In muddy rain created pools, few others lay neck deep, making the most of the spa-like mud bath. Sometimes we passed agricultural lands that stretched on for as far as the eye could see, and whole families worked together on the fields, building stick fences or tending to their produce. We stopped once to have a word, to ask what it was that they cultivated, and heard instead the story of the wandering cattle and the picky fowl that had ruined their hard day’s work. Further down the road, a boy sold jamuns, freshly plucked from those roadside trees growing on no-man’s land - a large packet for Rs 20.

Through the farms
Gowri and I were on a three-day trip to Khajuraho, but after a day of wandering around the temples in the scorching July sun, they all started to look alike. On day two, we wanted to do something else, and having found a friend in the old uncle running the Madras Coffee House, we asked him for suggestions. (Earlier in the day, we had hired an auto-rickshaw for a trip to Pandav falls, but fear got the better of us, and we returned half way. Full text here). For a nominal rate, he rented his white air-conditioned Swift Dezire and just to assure us that all will be well, promised to accompany us.

Though originally from Tamil Nadu, he had lived in these parts for over 65 years and had seen this society change from a feudal class dominated world ruled by kings to a place ripped up by dacoits and then to the more confused and fragmented society of today. He was a good storyteller, and in us, he found two avid listeners. He switched between Hindi and Tamil with ease, much like the characters of his stories – the past Kings of this region, the notorious Pooran Singh, MGR and the Pandava Vanavasam (story from the Mahabharata).

During their exile, the Pandavas are said to have lived in the forests of Bundhelkhand, and the stories of these wandering mendicants are deeply woven into popular folklore. A thirsty Draupadi asked Bhima to get her some water, and instead of looking for a water source, Bhima chose to crack the earth open with his mace, thus creating Bhimkund - a natural water tank, the depth of which is still unknown. 

Deep mysteries of Bhimkund

flight of slippery steps lead to this water body. It’s dark inside the cave, except for the small opening on the roof, where the mace is said to have fallen. The blueness of the skies is reflected in these deep waters, and its said to remain blue throughout the year - never a shade of mossy green or muddy brown. During the 2004 Tsunami, the water is said to have risen 30 meters high, like a wave, though the closest beach is a 1000 kms away.

Onwards to Jata Shankar
Little boys frolicked in the waters, showing of their swimming and diving skills. Few had tried to hold their breath till they hit the bottom of the pool, but none had ever succeeded. Towards the right, where the water is at its deepest, there is a channel, which connects it to a nearby river. Pilgrims pay homage at the small temple on the banks of the pond. I stepped forward to dip my feet, and the water felt extremely cold and was surprisingly clear.

From Bhimkund, we made our way towards Jata Shankar, another Hindu pilgrimage site, tucked away the deep forest. It was Amavasya, the day of the new moon. To a religious Hindu, it is a day of fasting and prayers, and Lord Siva is at the center of things. As we drove towards the temple, I noticed that many pilgrims were walking in the same direction. Men, woman and children walk for as long as 19 or 20 kilometers to offer their prayers at this cave temple, where stalagmite formations rise up to form the Shiva Linga. Makeshift shops decorated the sidewalks leading to the temple, and here we had a light meal of watery dal, rotis and tea. As the main pooja was only later in the night, we decided to head back.

Footloose in Bundelkhand
All through my journey never once did I cross a hospital or a small clinic. Not once did I see the large gates of a school, the kind that you are used to seeing while traveling across India. Public transport is next to nil in these regions and connectivity bad. Even if a bus does come by, there are people hanging from the roof, restricting travel plans. I also noticed, vast expanse of land, some ploughed and farmed, others bare and forsaken. This region has been in the news for all the wrong reasons - infant mortality, lack of education and hygiene and a high number of people falling in the Below Poverty Line category. 

Traveling through this region, it became evident that Bundelkhand has been largely ignored by the state, and their demand for a separate state is justified. But at the same time, in a class dominated society like this one, how much progress and sustainable development will any ruling class be willing to bring?

Back in Khajuraho, a mini mela had sprung up to cater to the Amavasya rush. An old man displayed his wares - glass bangles, kajal, kunkum, combs, clips… another had a collection of colourful wind wheels, balloons and whistles. There was puffed rice, jaggery and sugarcane in another corner – offerings to the Gods. Wearing bright orange, pink and blue glittery saris woman made their way through the crowd towards the peepal tree. They tied a thread around it and circled it 101 times - prayers send out to the universe for a better tomorrow.

Amavasya mela 

Khajuraho’s main income comes from tourism, but during off season, life rewinds into flashback mode. Town folks worship at the ancient Siva shrine, and continue to pledge their loyalty to the Maharajah. He is and has always been their protector. The echoes of the past are at its loudest during off season. Here, myths, folklore and epics converge, diversify and diverge.


Thursday, April 10, 2014

Beyond Khajuraho's Kama Sutra

July in Khajuraho
It finally arrived from the frame shop last week, a memory sealed within a 2" thick brown wood border. Today it hangs proudly in the front room, the amateurish stroke mistaken for mine by ignorant, visiting neighbours, who loose interest when I tell them it's tribal Gond Art from Madhya Pradesh. To them, it is inexpert colour, to me a small part of a beautiful memory.

Travel finds
Nine months have passed since that trip to Bundelkhand. The hills were unsafe after the floods they said, so towards the plains we (Gowri & I) moved. The trip was a special one,

because it was going to be our last before I shifted cities. We had learnt our lesson from our previous train travel, so this time around we traveled in style in the air conditioned coach. Its a 10-odd hour trip, and the next morning we woke up to the sight of lush green hills and endless plains.

In 'boar'ing company 


Our accommodation chosen after carefully reading the reviews on boooking.com was basic. We checked in, freshened up and set off to explore the temple town. Gowri wanted to travel by bike, but I wasn't very confident about staying on it, so we walked. The main temple cluster is on the Western side, and there are a few others on the Eastern and Southern parts. Of course if you travel in July, like we did, chances are that you wouldn't want to spend any more time than you absolutely have to, out in the sun.

The main tour begins at this gigantic 9-ft Varaha or boar temple - the third avatar of Vishnu. Carved out of a single stone, this beauty has 675 miniature figures carved on it, depicting the Gods of the Hindu pantheon. Though it was magnificent, we were dying to see the erotic sculptures. After all wasn't that what Khajuraho was all about? How wrong we were!

At the Lakshmana Temple, we caught sight of the first erotic carvings. The temple, had on its outer wall carvings that depicted all walks of life - a wedding procession, a war march, a musical setting, and among other things sex.

All kinds of it - couples, orgies, homosexual encounters... one look at the carvings and you'll know that there was a time, (between 950 and 1050 AD to be precise) when sex was spoken, written, carved and probably practiced with gay abandon, and therefore allowed on 'sacred' temple walls.

Lakshmana Temple

And here we are today, on the threshold of change and development, rewriting laws to make same sex marriages a criminal offence or imposing strict moral codes on ourselves based on gender, religion and community. I am going a little off track and sounding like an old tape recorder. Back to Khajuraho then.

After shower
Though sex is depicted on some temple walls, to brand Khajuraho as a Kama Sutra haven would be a crime. This temple town is an architectural masterpiece, each structure designed keeping in mind vastu rules and mythological specifications. The one dedicated to the Sun God faces the East, the one for Shiva has a smaller temple on the opposite side dedicated to Nandi. The 'garbhagraha' or the sanctum sanctorum has circular or square shaped roof depending on the deity in question.

And the carvings.. my oh my.. the art work on each of these temples will blow your mind away! One work particularly caught my fancy. A woman is in a state of undress and the artist has captured the fall of her garment and the curve of her back as she stretches. The Kandariya Mahadev temple was like a poetry cast in stone. At 102-ft, the magnitude of its construction was visible in the recurring patterns and designs on sandstone. It was a bright sunny day, so after nearly four hours of heat and sweat and sun burn, we decided to call it a day.

Our plan was to explore the surrounding areas on day two. So off we went in a hired auto, past the temple town and the airport, in the direction of Panna National Park. As we left the main town behind, the landscape changed. Concrete houses made way for mud tiled ones and soon the thatched roof kind. Then even those vanished, and it was just us on the road, with dry, empty fields on either sides and an occasional grazing buffalo.

I could see that life in Khajuraho is not easy. Connectivity is a grave problem and so is education and development. For years now, strong voices of dissent has risen from Bundelkhand, seeking more funds and possibly a separate state. Post Telangana these voices have only grown louder. The auto stuttered on, and about 20-minutes later, a crowded bus precariously balancing its passengers and their possession on its roof, passed us in the opposite direction. I had seen something like this in the Fevicol advertisement, and had laughed at what I presumed was exaggeration.

Village scene

Now that the bus was gone, the road seemed endless and lonely and the two of us were worried for our own safety. According to the driver, we had traveled half way, but we decided to double back. Call us paranoid or call us cautious, but the loss of a few hundred rupees and half a day was a small price to pay for peace of mind, and probably safety.

Dots & Dashes
When the auto fellow dropped us off near the temple, I noticed a small shop where a man sat painting. Dilip Singh specialises in Gond and Rajasthani style of art, and was at that point working on a commissioned piece for a resort - colourful fishes on a yellow background painted using dots and dashes.

How we befriended him and convinced him to part with his painting is the second part of this story. In that post, I'll also included stories of our adventures across Chhatarpur district, at the often ignored Bhimkund and the pilgrimage site of Jatashakar.

Shiva & Nandi temples

Kandariya Mahadev Temple